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This sequence begins with an overhead cross-section of the apartment building and several of its inhabitants, and you would swear it has to be done with a computer, but no: This is an actual physical set, and the elegant camera moves were elaborately choreographed. Consider a scene where the "spiders" search a rooming house, and Anderton tries to elude capture by immersing himself in a tub of ice water. The choreography, timing and wit of this sequence make it, all by itself, worth the price of admission.īut there are other stunning sequences. One virtuoso sequence shows her foreseeing the immediate future and advising Anderton about what to do to elude what the cops are going to do next. Because she floats in a fluid tank, Agatha's muscles are weakened (have Pre-Cogs any rights of their own?) and Anderton has to half-drag her as they flee from the pre-crime police. Of course, if you could outsmart the Pre-Cog system, you would have committed the perfect crime.įinding himself the hunted instead of the hunter, Anderton teams up with Agatha ( Samantha Morton), one of the Pre-Cogs, who seemed to be trying to warn him of his danger. they disagree." The dissenting Pre-Cog is said to have filed a minority report, and in the case of Anderton the report is crucial, because otherwise he seems a certain candidate for arrest as a pre-criminal. Although "the Pre-Cogs are never wrong," we're told, "sometimes. The plot centers on a rare glitch in the visions of the Pre-Cogs. " Blade Runner," also inspired by a Dick story, shows a future world in decay "Minority Report" offers a more optimistic preview. Some of the details: a computer interface that floats in mid-air, manipulated by Cruise with the gestures of a symphony conductor advertisements that crawl up the sides of walls and address you personally cars that whisk around town on magnetic cushions robotic "spiders" that can search a building in minutes by performing a retinal scan on everyone in it. As the pre-crime strategy prepares to go national, Witwer seems to have doubts about its wisdom-or he is only jealous of its success? Spielberg establishes these characters in a dazzling future world, created by art director Alex McDowell, that is so filled with details large and small that we stop trying to figure out everything and surrender with a sigh.
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Anderton's superior, bureau director Burgess (Max von Sydow) takes pride in him, and shields him from bureaucrats like Danny Witwer ( Colin Farrell), from the Justice Department. They're able to pick up thoughts of premeditated murders and warn the cops, who swoop down and arrest the would-be perpetrators before the killings can take place.īecause this is Washington, any government operation that is high-profile and successful inspires jealousy. Anderton presides over an operation controlling three "Pre-Cogs," precognitive humans who drift in a flotation tank, their brain waves tapped by computers. Futuristic skyscrapers coexist with the famous Washington monuments and houses from the 19th century.
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Soon, it appears, there will be a murder-committed by Anderton himself.
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Dick, Tom Cruise is John Anderton, chief of the Department of Pre-Crime in the District of Columbia, where there has not been a murder in six years. The movie turns out to be eerily prescient, using the term "pre-crime" to describe stopping crimes before they happen how could Spielberg have known the government would be using the same term this summer? In his film, inspired by but much expanded from a short story by Philip K.